WAÄIT till our Sally cooms in, fur thou mun a’ sights1 to tell.
Eh, but I be maäin glad to seeä tha sa ’arty an’ well.
‘Cast awaäy on a disolut land wi’ a vartical soon2!’
Strange fur to goä fur to think what saäilors a’ seeän an’ a’ doon;
‘Summat to drink—sa’ ’ot?’ I ’a nowt but Adam’s wine:
What’s the ’eät o’ this little ’ill-side to the ’eät o’ the line?
‘What’s i’ tha bottle a-stanning theer? I’ll tell tha. Gin.
But if thou wants thy grog, tha mun goä fur it down to the inn.
Naay—fur I be maäin-glad, but thaw tha was iver sa dry,
Thou gits naw gin fro’ the bottle theer, an’ I’ll tell tha why.
Meä an’ thy sister was married, when wur it? back-end o’ June,
Ten year sin’, and wa ’greed as well as a fiddle i’ tune:
I could fettle and clump owd booöts and shoes wi’ the best on ’em all,
As fer as fro’ Thursby thurn hup to Harmsby and Hutterby Hall.
We was busy as beeäs i’ the bloom an’ ’appy as ’art could think,
An’ then the babby wur burn, and then I taäkes to the drink.
An’ I weant gaäinsaäy it, my lad, thaw I be hafe shaämed on it now,
We could sing a good song at the Plow, we could sing a good song at the Plow;
Thaw once of a frosty night I slither’d an hurted my huck,3
An’ I coom’d neck-an-crop soomtimes slaäpe down i’ the squad an’ the muck:
An’ once I fowt wi’ the Taäilor—not hafe ov a man, my lad—
Fur he scrawm’d an’ scratted my faäce like a cat, an’ it maäde’er sa mad
That Sally she turn’d a tongue-banger4 an’ raäted ma, ‘Sottin’ thy braäins
Guzzlin’ an’ soäkin’ an’ smoäkin’ an’ hawmin’5 about i’ the laänes,
Soä sow-droonk that tha doesn not touch thy ’at to the Squire;’
An’ I looök’d cock-eyed at my noäse an’ I seeäd ’im a-gittin’ o’ fire;
But sin’ I wur hallus i’ liquor an’ hallus as droonk as a king,
Foälks’ coostom flitted awaäy like a kite wi’ a brokken string.
An’ Sally she wesh’d foälks’ cloäths to keep the wolf fro’ the door,
Eh but the moor she riled me, she druv me to drink the moor,
Fur I fun’, when ’er hack wur turn’d, wheer Sally’s owd stockin’ wur ’id,
An’ I grabb’d the munny she maäde, and I weär’d it o’ liquor, I did.
An’ one night I cooms ’oäm like a bull gotten loose at a faäir,
An’ she wur a-waäitin’ fo’mma, an’ cryin’ and teärin’ ’er ’aäir,
An’ I tummled athurt the craädle an’ sweär’d as I’d break ivry stick
O’ furnitur ’ere i’ the ’ouse, an’ I gied our Sally a kick,
An’ I mash’d the taäbles an’ chairs, an’ she an’ the babby beäl’d,6
Fur I knaw’d naw moor what I did nor a mortal beäst o’ the feäld.
An’ when I waäked i’ the murnin’ I seeäd that our Sally went laämed
Cos’ o’ the kick as I gied ’er, an’ I wur dreadful ashaämed;
An’ Sally wur sloomy7 an’ draggle taäil’d in an owd turn gown,
An’ the babby’s faäce wurn’t wesh’d an’ the ’ole ’ouse hupside down.
An’ then I minded our Sally sa patty an’ neät an’ sweeät,
Strait as a pole an’ cleän as a flower fro’ ’ead to feeät:
An’ then I minded the fust kiss I gied ’er by Thursby thurn;
Theer wur a lark a-singin’ ’is best of a Sunday at murn,
Couldn’t see ’im, we ’eärd ’im a-mountin’ oop ’igher an’ ’igher,
An’ then ’e turn’d to the sun, an’ ’e shined like a sparkle o’ fire.
‘Doesn’t tha see ’im,’ she axes, ‘fur I can see ’im?’ an’ I
Seeäd nobbut the smile o’ the sun as danced in ’er pratty blue eye;
An’ I says ‘I mun gie tha a kiss,’ an’ Sally says ‘Noä, thou moänt,’
But I gied ’er a kiss, an’ then anoother, an’ Sally says ‘doänt!’
An’ when we coom’d into Meeätin’, at fust she wur all in a tew,
But, arter, we sing’d the ’ymn togither like birds on a beugh;
An’ Muggins ’e preäch’d o’ Hell-fire an’ the loov o’ God fur men,
An’ then upo’ coomin’ awaäy Sally gied me a kiss ov ’ersen.
Heer wur a fall fro’ a kiss to a kick like Saätan as fell
Down out o’ heaven i’ hell-fire—thaw theer’s naw drinkin’ i’ Hell;
Meä fur to kick our Sally as kep the wolf fro’ the door,
All along o’ the drink, fur I loov’d ’er as well as afoor.
Sa like a greät num-cumpus I blubber’d awaäy o’ the bed—
‘Weänt niver do it naw moor;’ an’ Sally loookt up an’ she said,
‘I’ll upowd it8 tha weänt; thou’rt like the rest o’ the men,
Thou’ll goä sniffin’ about the tap till tha does it agëan.
Theer’s thy hennemy, man, an’ I knaws, as knaws tha sa well,
That, if tha seeäs ’im an’ smells ’im tha’ll foller ’im slick into Hell.’
‘Naäy,’ says I, ‘fur I weänt goä sniffin’ about the tap.’
‘Weänt tha?’ she says, an’ mysen I thowt i’ mysen ‘mayhap.’
‘Noä:’ an’ I started awaäy like a shot, an’ down to the Hinn,
An’ I browt what tha seeäs stannin’ theer, yon big black bottle o’ gin.
‘That caps owt,’9 says Sally, an’ saw she begins to cry,
But I puts it inter ’er ’ands an’ I says to ’er, ‘Sally,’ says I,
‘Stan’ ’im theer i’ the naäme o’ the Lord an’ the power ov ‘is Graäce,
Stan’ ’im theer, fur I’ll looök my hennemy strait i’ the faäce,
Stan’ ’im theer i’ the winder, an’ let ma looök at ’im then,
’E seeäms naw moor nor watter, an’ ’e’s the Divil’s oän sen.’
An’ I wur down i’ tha mouth, couldn’t do naw work an’ all,
Nasty an’ snaggy an’ shaäky, an’ poonch’d my ’and wi’ the hawl,
But she wur a power o’ coomfut, an’ sattled ’ersen o’ my knee,
An’ coäxd an’ coodled me oop till ageän I feel’d mysen free.
An’ Sally she tell’d it about, an’ foälk stood a-gawmin’10 in,
As thaw it wur summat bewitch’d istead of a quart o’ gin;
An’ some on ’em said it wur watter—an’ I wur chousin’ the wife,
Fur I couldn’t ’owd ’ands off gin, wur it nobbut to saäve my life;
An’ blacksmith ’e strips me the thick ov ’is airm, an’ ’e shaws it to me,
Feeäl thou this! thou can’t graw this upo’ watter!’ says he.
An’ Doctor ’e calls o’ Sunday an’ just as candles was lit,
‘Thou moänt do it,’ he says, ‘tha mun break ’im off bit by bit.’
‘Thou’rt but a Methody-man,’ says Parson, and laäys down ’is ’at,
An’ ’e points to the bottle o’ gin, ‘but I respeeks tha fur that;’
An’ Squire, his oän very sen, walks down fro’ the ’All to see,
An’ ’e spanks ’is ’and into mine, ‘fur I respecks tha,’ says ’e;
An’ coostom ageän draw’d in like a wind fro’ far an’ wide,
And browt me the booöts to be cobbled fro’ hafe the coontryside.
An’ theer ’e stans an’ theer ’e shall stan to my dying daäy;
I ’a gotten to loov ‘im ageän in anoother kind of a waäy,
Proud on ’im, like, my lad, an’ I keeäps ’im cleän an’ bright,
Loovs ’im, an’ roobs ’im, an’ doosts ’im, an’ puts ’im back i’ the light.
Wouldn’t a pint a’ sarved as well as a quart? Naw doubt:
But I liked a bigger fetter to fight wi’ an fowt it out.
Fine an’ meller ’e mun be by this, if I cared to taäste,
But I moänt, my lad, and I weänt, fur I’d feäl mysen cleän disgraäced.
An’ once I said to the Missis, ‘My lass, when I cooms to die,
Smash the bottle to smithers, the Divil’s in ’im,’ said I.
But arter I chaänged my mind, an’ if Sally be left aloän,
I’ll hev ’im a-buried wi’mma an’ taäkt ’im afoor the Throän.
Coom thou ’eer—yon laädy a-steppin along the streeät,
Doesn’t tha knaw ’er—sa pratty, an’ feät, an’ neät, an’ sweeät?
Look at the cloäths on ’er back, thebbe ammost spick-span-new,
An’ Tommy’s faäce be as fresh as a codlin wesh’d i’ the dew.
’Ere he our Sally an’ Tommy, an’ we be a-goin to dine,
Baäcon an’ taätes, an’ a beslings-pud-din’11 an’ Adam’s wine;
But if tha wants ony grog tha mun goä fur it down to the Hinn,
Fur I weänt shed a drop on ’is blood, noä, not fur Sally’s oän kin.
1. The vowels aï, pronounced separately though in the closest conjunction, best render the sound of the long i and y in this dialect. But since such words as craïin’, daïin’, whaï, aï (I), etc., look awkward except in a page of express phonetics, I have thought it better to leave the simple i and y, and to trust that my readers will give them the broader pronunciation.
2. The oo short, as in wood.
3. Hip.
4. Scold.
5. Lounging.
6. Bellowed, cried out.
7. Sluggish, out of spirits.
8. I’ll uphold it.
9. That’s beyond everything
10. Staring vacantly
11. A pudding made with the first milk of the cow after calving.
People are taking the piss out of you everyday. They butt into your life, take a cheap shot at you and then disappear. They leer at you from tall buildings and make you feel small. They make flippant comments from buses that imply you’re not sexy enough and that all the fun is happening somewhere else. They are on TV making your girlfriend feel inadequate. They have access to the most sophisticated technology the world has ever seen and they bully you with it. They are The Advertisers and they are laughing at you.
You, however, are forbidden to touch them. Trademarks, intellectual property rights and copyright law mean advertisers can say what they like wherever they like with total impunity.
Fuck that. Any advert in a public space that gives you no choice whether you see it or not is yours. It’s yours to take, re-arrange and re-use. You can do whatever you like with it. Asking for permission is like asking to keep a rock someone just threw at your head.
You owe the companies nothing. Less than nothing, you especially don’t owe them any courtesy. They owe you. They have re-arranged the world to put themselves in front of you. They never asked for your permission, don’t even start asking for theirs.
You know, I’d like to say something else to you before I lose my train of thought.
I don’t care what anybody tells you. Anybody, if they tell you you can’t do something because you’re hurt, or that you can’t be good enough to do something — and your mother and dad will never tell you that, but if someone else does — you remember something: anything, I don’t care what it is, if you really believe that you can do it, and you believe in it enough, and you honestly believe it, you can do it if you want to.
They told me I could never jump a canyon. I’m gonna’ jump so far over it you can’t believe it. I’m not only gonna’ do that, I own it. It’s mine. I bought it.
There’s nothing you can’t do if you wanna’ do it bad enough.
And when you get fed up with life, do yourself a favor. Take a piece of paper, and put down on one side all the good things you think about life, and all the good things you have, and start with your parents and your brothers and sisters and friends, and all the things you had, bicycle, cart, go-cart. Everything.
And then you turn it over, and write down on the other side of that piece of paper all the bad things you got, like Johnny down the street you don’t like or whatever.
And you’re gonna’ find that the good outnumber the bad by so much that you don’t even have to pay attention to the bad, because you got so much good going for you.
That’s what I do every time I kinda’ feel down-hearted or hurt. I do that with a piece of paper, and it works for me.
You know what, I get up every morning, I got signs posted all over my wall. I got one in my bedroom, one in the bathroom, one in the hallway. Says today is going to be the best day of your life, smile. Sometimes you have to help yourself do that.
You kids, if you have trouble doing things, you want to study or you want to be a certain way or you want to create a temperament about yourself, start right now and do it. Put up signs that says, “Smile at everybody. Today’s gonna’ be a good day in my life. I’m gonna’ have a lot of fun. I’m gonna’ do this better or that better.”
I’ll tell you something, you’re only going to be here one time, in life as we know it, so get the most out of it.
It’s all so horrible, isn’t it? The nightmare of childhood. And it only gets worse.
One day you’ll wake up, and you’ll be past it. Your beautiful skin will be wrinkled and shriveled up. You’ll lose your hair, your sight, your memory. Your blood will thicken, teeth turn yellow and loose. You’ll start to stink and fart, and all your friends will be dead. You’ll succumb to arthritis, angina, senile dementia. You’ll piss yourself, shit yourself, drool at the mouth.
Just pray that when this happens you’ve got someone to love you. Because if you’re loved, you’ll still be young.
Ohhh, innocence can be hell.